The Portrayal of The Irish Identity In Francis Scott Fitzgerald’s The Great Gatsby 1925 and Eugene O’Neill’s The Hairy Ape 1922

dc.contributor.authorKissoum Lamia
dc.contributor.authorIdjemarene Ania
dc.date.accessioned2026-02-23T10:15:18Z
dc.date.available2026-02-23T10:15:18Z
dc.date.issued2025-07
dc.description55p. ; (+CD-Rom)
dc.description.abstractThis memoire depicts the portrayal of Irish identity through a comparative study between two major literary works “The Great Gatsby” by Francis Scott Fitzgerald and “The Hairy Ape” by Eugene O’Neill. The aim of this research is to analyse how both works portray the Irish identity as a minority focusing on issues such as identity crisis, social exclusion and marginalization in the early twenties centuries America. This study relies on two theories; Edward Said’s theory of “othering” to show how the Irish immigrants and other minorities are treated as “other”, and Stephen Greenblatt’s theory of New Historicism to put each work in its historical and cultural context. The analysis of these two literary works together yielded the following findings: both Fitzgerald and O’Neill both drawing from personal and cultural experience, they presented literature not just an art but as a political and social commentary; giving voice to the voiceless and revealed the tragic cost of social exclusion, showing That the Irish identity is a metaphor for broader exclusion. Both authors expose the limits of American dream and the cruelty of capitalist system that favour appearance over essence and cruelty over humanity.
dc.identifier.citationLiterature and Interdisciplinary Approaches
dc.identifier.urihttps://dspace.ummto.dz/handle/ummto/29811
dc.language.isoen
dc.publisherUniversité Mouloud Mammeri Tizi Ouzou
dc.subjectIdentity
dc.subjectCultural exclusion
dc.subjectIrish representation
dc.subjectAssimilation
dc.subjectOtherness
dc.titleThe Portrayal of The Irish Identity In Francis Scott Fitzgerald’s The Great Gatsby 1925 and Eugene O’Neill’s The Hairy Ape 1922
dc.typeThesis

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