Harold Pinter’s Monologue (1973) and Samuel Beckett’s A Piece of Monologue (1979): A Bakhtinian Reading

dc.contributor.authorBoufassa, Cylia
dc.contributor.authorBoucebci, Melkhir
dc.date.accessioned2022-03-14T08:52:14Z
dc.date.available2022-03-14T08:52:14Z
dc.date.issued2020
dc.description30cm ; 70p.en
dc.description.abstractThis dissertation is entitled Harold Pinter Monologue (1973) and Samuel Beckett A Piece of Monologue (1979):a Bakhtinian Reading. It attempts to explore the main elements of dialogism which are heteroglossia and chronotope in the two plays. The main focus of this work is to show how the two authors introduced differentiated language in the two mentioned plays. We have also shown how the literary works can be as heteroglossic texts from expressing a multiplicity of voices. Besides, we have examined their past experiences and memories through imagination. Furthermore, we have analysed how the two authors are affected by the situation of their societies. By following Bakhtin’s concept of dialogism, we reached conclusion that Beckett’s play can be a response to Pinter’s play. Accordingly, this work has shown Pinter’s Monologue and Beckett’s A Piece of Monologue as socially symbolic acts, since the two authors reflect the image of the characters past and the shocking events they experienced in their countries through their playsen
dc.identifier.citationLiterature and Interdisciplinary Approachesen
dc.identifier.urihttps://dspace.ummto.dz/handle/ummto/16904
dc.language.isoenen
dc.publisherUniversité Mouloud Mammeri Tizi Ouzouen
dc.titleHarold Pinter’s Monologue (1973) and Samuel Beckett’s A Piece of Monologue (1979): A Bakhtinian Readingen
dc.typeThesisen

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