William Golding’s Lord of the Flies (1954) and Harry Hook’s The Forgotten Island (1990): A Dialogic Study

dc.contributor.authorAMRAOU Narimene
dc.contributor.authorBERRANEN Lamia
dc.date.accessioned2024-02-12T09:09:19Z
dc.date.available2024-02-12T09:09:19Z
dc.date.issued2022
dc.description64 p. : ill. ; 30 cm. (+CD-Rom)
dc.description.abstractThe present work studies William Golding’s novel Lord of the Flies (1954) and Harry Hook’s movie The Forgotten Island (1990) from a dialogic perspective. Our study falls into two main chapters. In the first chapter, we made an appeal to Mikhail Bakhtin’s concept of Parody to show the oppositional views of the themes discussed in the novel as well as its adaptation, namely; Evilness, Civilization versus Savagery and Loss of Innocence. The second chapter is about the analysis of the key elements of chronotope in both works. We focus on the temporal and spatial indicators that are presented. This developed examination highlights the main points where the two works intersect and which work is regarded as a response to the other. We come to the conclusion that these respective works are dialogic in terms of themes, as well as the representation of time and space
dc.identifier.citationGeneral and Comparative Literature
dc.identifier.urihttps://dspace.ummto.dz/handle/ummto/22883
dc.language.isoen
dc.publisherUniversité Mouloud Mammeri
dc.subjectBakhtin
dc.subjectDialogism
dc.subjectParody
dc.subjectUtopia
dc.subjectDystopia
dc.subjectRomanticism
dc.subjectRealism
dc.titleWilliam Golding’s Lord of the Flies (1954) and Harry Hook’s The Forgotten Island (1990): A Dialogic Study
dc.typeThesis

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