Repository logo
  • English
  • Français
  • Log In
Repository logo
  • Communities & Collections
  • All of DSpace
  • English
  • Français
  • Log In
  1. Home
  2. Browse by Author

Browsing by Author "Ait Salem Zakia"

Now showing 1 - 1 of 1
Results Per Page
Sort Options
  • Loading...
    Thumbnail Image
    Item
    Eugene Ionesco's The lesson (1951) and Le Roi Jones's Dutchman (1964) : A Foucauldian reading
    (Mouloud Mammeri University, 2021) Ait Salem Zakia; Aggoun Inas
    This research delves into the works of Eugene Ionesco’s The Lesson and LeRoi Jones’s Dutchman, employing Michel Foucault’s theory of power relations, with a focus on the key concepts of “Knowledge” and “Power.” The study examines the behavior and interactions among characters within the framework of Theatre of the Absurd. The dissertation comprises two chapters. In the initial chapter, we explore the interconnectedness of “Knowledge” and “Power.” We observe how those who possess knowledge wield power, as seen in The Professor’s dominance over the Pupil and Lula’s control over Clay. The subsequent chapter investigates the consequences of this power dynamic, transitioning from “Power” to “Domination.” Following the abuse of power by the Professor and Lula over the Pupil and Clay, we explore the emergence of “Resistance” as a response. In the final chapter, we address the body as a target of power, referencing Sara Mills” work on “Michel Foucault: The Body and Sexuality” (2003). Through this lens, we analyze how the authors were influenced by the conditions of their societies characterized by absurdism, uncertainty, and chaos. Ultimately, we conclude that the possession of knowledge can lead to negative domination, significantly impacting power relations and suppressing the powerless, particularly when wielded by authoritarian and misguided authorities.

Dspace Portail web UMMTO E-Learning UMMTO Messagerie UMMTO

    Centre des Systèmes et Réseaux CSRICTED 026.18.62.29 centre_reseaux@ummto.dz