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عقد الترخيص باستغلال براءة الاختراع
(جامعة مولود معمري تيزي وزو, 2016-09-20) عمیرة احمد; قاصد سوهیلة
The Representation of Jews and Muslims in Hollywood Movies: A Comparative Study of Steven Spielberg’s Schindler’s List (1993) and Edward Zwick’s The Siege (1998).
(Université Mouloud Mammeri Tizi-Ouzou, 2014) MEZIANI Mourad
The present dissertation is concerned with the analysis of the American representation of the Jews and Muslims respectively in Steven Spielberg’s Schindler’s List (1993), and Edward Zwick’s The Siege. The study focuses on Hollywood recollection of the memory of the Holocaust, and its formulation of the Muslims as ‘terrorists’. It also examines Hollywood role in shaping the American public consciousness around global major issues such as genocide and terrorism. Hollywood contends its engagement with the political sphere through its representation of the Jews as America’s ‘victimized others’ and its portrayal of the Muslims as America’s ‘demonized others’. I have argued that both the ‘victimization’ of the Jews and the ‘demonization’ of the Muslims serve America’s ongoing process of Americanization of the world. I define Americanization as America’s will, through the appropriation of the Holocaust and terror, to project its fundamental values and expand its cultural, political and ideological influence worldwide. In other words, Americanization considers America as an omnipresent possibility which, through its assimilation of universal values as its own, aims at integrating the world into the American way of life. Furthermore, it implies America’s moral, political and ideological responsibility (commitment) towards the defense and promotion of its founding ideals as part of its universal mission as articulated in its Manifest Destiny. The latter, represents the core of the American mythological identity and character which finds its perfect expression in America's unconditional support of Israel, and its blatant involvement with Arab-Muslim world. Israel represents an ideal view of America as a promoter of justice, whereas the Muslims as the consecration of America as proponent of freedom, promoter of democracy and peace.
Queen Elizabeth I in Selected Movies: A Barthesian- Historicist Approach to Modern British Myth
(Université Mouloud Mammeri Tizi-Ouzou, 2015) TERKI Nassima
The present research paper is entitled Queen Elizabeth I in Selected Movies: a Barthesian-Historicist Approach to Modern British Myth. It highlights the way Queen Elizabeth I’s biography has been adapted and updated by filmmakers since the end of World War II. To look at the representation of this Tudor Monarch, I throw light on selected snapshots taken from four selected biographical films: The Virgin Queen (1955), Mary, Queen of Scots (1971), Elizabeth (1998) and Elizabeth: the Golden Age (2007) with the use of Roland Barthes theoretical framework developed in Mythologies (1972), Image- Music-Text (1977) and Elements of Semiology (1986).The analysis of selected snapshots in the films shows that this Tudor Queen is depicted as a heterogeneous character. She is associated with very different political social and cultural values. The different representations are drawn to adapt her image to the circumstances of the film’s production
and release. Finally, her image is used to help the nation readjust itself to face the different the challenges of post-Empire Britain.
Culture Shock in Barbary Captivity Narratives: Royal Tyler (1797), John Foss (1798), Maria Martin (1807) and James Leander Cathcart (1899)
(Université Mouloud Mammeri Tizi-Ouzou, 2015-06) SEDDIKI Rabia
My research paper intends to study the culture shock in Barbary captivity narratives: Royal Tyler’s The Algerine Captive (1797), John Foss’ Journal of Captivity and Sufferings (1798), Maria Martin’s History of Captivity and Sufferings (1807), and James Leander Cathcart’s The Captives, Eleven years a Prisoner in Algiers (1899).This paper shows that the narratives are the experiences of a passage, the crossing of a boundary that allows for an encounter with otherness to take place. Addressed to their home culture, the narratives deal with the captives’ cultural shock upon their first encounter with different and strange culture, in uncomfortable situations interacting with people who are not born nor bred Americans. Being cut out from their culture, the captives were at a complete loss since their host culture involved unusual norms of cultural understanding such as, religion, food, clothing, gender roles, customs and traditions. Therefore, my research paper shows the circumstances and the reasons behind the captives’ disorientation. Moreover, it explains how the captives endure and depict their life within Barbary through highlighting the distinct features between America and Algiers through an ethnocentric standpoint.
قواعد ممارسة الأنشطة التجارية
(جامعة مولود معمري تيزي وزو, 2016-09-20) عليش ريمة; معمري زينب